Full on scrooge rant . . . . White Hills / Gnod | Split Cdr
Is something going on tonight? What the fuck? Nobody's on the message boards. Some family came over and wore out their welcome. There was TONS of traffic today, now there's barely anybody on the streets. I don't know it's all weird. It's like it's a holiday or something. Oh well, here I am in front of the computer, getting away from the madness, having a Belgian brew and enjoying the fuck out of it.
Anyway, thought I'd throw this gem up for you fine folks, but not because it's a holiday or anything, so don't even go thinking that I'm in the spirit, because I'm NOT. You see, I believe we should be nice and give half a shit about others and give no matter what time of year it is, without needing holidays.
Ok, enough of that. So I came across the following review on Foxy Digitalis and had forgotten how good this split Cdr is. Funny how much good music slips to the bottom of the play list and almost becomes forgotten, due to the fact that there's just so much music coming out these days. It's not hard for some very good stuff to not fall through the cracks. So here's for moving some of those 6-12 month old releases back up to the top of the play lists folks.
"Two experiences I’ve enjoyed a great deal of late: a Sloow Tapes release by GNOD called “The Somnambulist’s Tale” and seeing White Hills play live in Glasgow. This album finds these two forces meeting in a particularly fine sense of harmony.
Although GNOD (it stands for Global Network of Dreams, in case you’re wondering) and White Hills are both known for turning the dial up to 11, quite a lot of the music here is in their mellower vein. Although the album opens with a generous helping of buzz-saw guitar and later there’s some heavy riffing too, the centre of this work revolves around drones and hypnotic percussion.
If your not familiar with GNOD, from Mamchester, England, or the American trio White Hills, from New York, I would commend both bands to you on their own. Together they’ve made a highly enjoyable album which, I suspect, not many people will get to hear. I hope you enjoy the privilege as I have.
[Since writing the above review, I'm grateful to Gnod for contacting me to correct an inaccuracy on my part. I'm now informed that "the global network of dreams is nothing to do with us, merely an unfortunate acronym we discovered after forming. Gnod is Nowt, the pagan god of nothing." I look forward to hearing more music from Gnod, a band clearly much greater than the sum of its name! --J.C.] 9/10 -- John Cavanagh(19 November, 2008)"
Honestly, I often vacillate on whether or not to post some of these recordings, as I haven't come to the conclusion that I have the right to say they should be shared in this manner. That being said, many times they are of such limited quantity, I have to wonder if the artists mean for them to be shared via the net, as that is the only way for them to be disseminated to a larger audience. So here goes. If any artist featured here want any of these files deleted, just say the word.